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Remember
the performers whose red painted construction boots swung over the
balconies circling the Guggenheim Museum (“Juice”).
Or the sight of a dozen horseback riders flying across the field
at the Connecticut College American Dance Festival (“Needle-Brain
Lloyd and The Systems Kid: A Live Movie”). The figure of Meredith
Monk, a small body silhouetted by the blazing light of a welder’s
torch in a dark parking lot on Wooster Street (“Vessel”).
Monk seated opposite Ann Hamilton at a table below a glowing screen
capturing the lead residue left by Hamilton’s moving pencil
(“mercy”). Or Michael Tilson Thomas, his back to the
audience as he raises his baton to begin the world premiere of Monk’s
first symphonic work performed by the 90 musicians in the New World
Symphony Orchestra (“Possible Sky”).
Composer. Musician. Vocalist. Choreographer.
Filmmaker. Dancer. Director.
For 40 years Meredith Monk has deftly crisscrossed the fault lines
between disciplines, resolutely establishing a category for the non-categorical:
multi-disciplinary arts. After four decades of non-stop revolutionary
work, Monk, an icon for the hip of all ages, will be celebrated with
performances, recordings, art exhibitions, premieres and concerts
over the next year—all over the world.
The first of the major events, “Dance
to Monk,” takes place at Danspace Project at St. Mark’s
Church, November 19---, 20, 21 and 23, where over the course
of four days some of the world’s greatest choreographers will
present new works especially created to Monk’s music. Presented
by Danspace Project and The House Foundation for the Arts, the first
three days of the ongoing celebration (November 19–21) will
feature premieres by Ann Carlson (performed by the Axis Dance Company),
Seán Curran, Molissa Fenley and Dancers, Bill T. Jones (on
video), Dana Reitz and Doug Varone. The November 23 performance, a
benefit for The House Foundation, will feature world premieres by
Elizabeth Streb, Lar Lubovitch Dance Company, Eiko & Koma and
Phoebe Neville who will perform to recordings of Monk’s music.
Monk and Ching Gonzalez will perform excerpts from Monk and Ping Chong’s
1972 classic “Paris.” And a final highlight: Meredith
Monk & Vocal Ensemble will perform live with the Merce Cunningham
Dance Company. Valda Setterfield, David Gordon and Ain Gordon will
serve as Masters of Ceremony.
A display of Monk’s etchings,
entitled “Vocal Gestures,” will be shown at The
Frederieke Taylor Gallery, January 7–February 5, 2005.
These prints, suggesting the movement of the sound they notate, can
be sung or simply observed for their graphic beauty. The portfolio
of nine prints is published by Edition Jacob Samuel.
The world premiere of Monk’s first
string quartet (title to come) will be presented by the Kronos Quartet
on January 22, 2005 at the Barbican Center in London.
In it, the ever-adventurous Monk explores new ways of using strings
to create unexpected textures in sound in much the same pioneering
way she has created new sounds for the voice through her invention
of “extended vocal technique.” Commissioned for Kronos,
by The Carnegie Hall Corporation, the Barbican Center, the National
Endowment for the Arts and Alta Tingle, the quartet will receive its
New York premiere at Zankel Hall on February 5, 2005.
Meredith Monk & Vocal Ensemble will
make its Joe’s Pub debut on May 20, 2005. Program
to be announced.
The anniversary year will conclude with
two celebration events at Carnegie Hall in November 2005 and
January 2006. Details to come.
Other events threaded through the year include Monk in performance
at the Asian Cultural Council Benefit at Jazz at Lincoln Center (November
10) and at the Rubin Museum of Art (November 20); a tribute to Monk
by Meredith Monk & Vocal Ensemble performer Theo Bleckmann at
BAMcafé Live on December 18; performances by Meredith Monk
& Vocal Ensemble at the New Moves Festival at Theatre Royal in
Glasgow, Scotland (March 12) and at the Look & Listen Festival
in New York City (April 14). All the while, Monk will be working on
new music for the Western Wind Vocal Ensemble and a new music theater
piece, “The Impermanence Project.”
A fourth generation singer in her family, Monk has been hailed as
a “magician of
the voice” for her invention of a new vocabulary including her
ululations, multi-phonics, whispers, slides, range skips and hockets,
which has expanded the boundaries of traditional vocal music.
Monk has made more than a dozen recordings,
most of which are on the ECM New Series label, including her full-length
opera, “ATLAS: an opera in three parts.” Her recordings,
“Dolmen Music” (ECM New Series) and “Our Lady of
Late: The Vanguard Tapes” (Wergo) were honored with the German
Critics Prize for Best Records of 1981 and 1986. In July 2000, Monk’s
music was honored by a three-concert retrospective entitled “Voice
Travel” as part of the Lincoln Center Festival.
Among her most recent works is “mercy,” a music theater
piece she created in collaboration with visual artist Ann Hamilton,
which premiered at the American Dance Festival in July 2001 and was
performed at BAM’s 2002 Next Wave Series, among other venues.
Monk’s first orchestra piece “Possible Sky,” commissioned
by Michael Tilson Thomas for the New World Symphony, premiered in
April 2003 in Miami. In October 1999, Monk performed a Vocal Offering
for His Holiness, the Dalai Lama, as part of the World Festival of
Sacred Music in Los Angeles.
Monk has made a series of award-winning
films including “Ellis Island” (1981) and her first feature,
“Book of Days” (1988), which was aired on PBS, released
theatrically and shown at the New York Film Festival. Her “16
Millimeter Earrings” (1966) was part of the Whitney Museum’s
“American Century: Art and Culture, 1950–2000” exhibit.
Her career was celebrated as part of “Art Performs Life,”
a major exhibition of her work at The Walker Art Center in Minneapolis
in summer 1998; at “Shrines” at Frederieke Taylor/TZ Art
Gallery in April 1999; and at the New York Public Library for the
Performing Arts, which held a major retrospective of her career in
1996. Her work has also been included in the 1991 and 2002 Biennials
at the Whitney Museum of American Art.
The creator of over 150 works since
graduating from Sarah Lawrence College in 1964, Monk is the recipient
of numerous honors including a MacArthur “Genius” Award,
two Guggenheim Fellowships, a Brandeis Creative Arts Award, three
Obies (including an award for Sustained Achievement), two Villager
Awards, a Bessie Award for Sustained Creative Achievement, the 1986
National Music Theatre Award, sixteen ASCAP Awards for Musical Composition,
the 1992 Dance Magazine Award and the 1996 Samuel H. Scripps/American
Dance Festival Award. She holds honorary Doctor of Arts degrees from
Bard College and the University of the Arts, as well as from The Juilliard
School, the San Francisco Art Institute and the Boston Conservatory.
DETAILS FOR NEW YORK SHOWS (as of press
time):
Danspace Project: Performances take place at 8:30pm.
Tickets are $20, and may be reserved by calling 212-674-8194 or at
www.danspaceproject.org. The benefit evening is on November 23; tickets
to the 6:30pm toast and 7:30pm performance at St. Mark’s Church,
as well as to the post-performance party at Second Nature range from
$100–$5,000 and are available only through The House Foundation,
by contacting Hallie Hobson at 212-904-1330 x23 or hobson@meredithmonk.org.
St. Mark’s Church is located at 131 East 10th Street (at 2nd
Avenue). Second Nature is located at 221 2nd Avenue (between 13th
and 14th Streets).
Frederieke Taylor Gallery: The hours are Tuesday–Saturday,
11am–6pm. The Gallery is located at 535 West 22nd Street on
the 6th floor, and may be contacted by calling 646-230-0992.
Judy & Arthur Zankel Hall: The curtain for the
performance by the Kronos Quartet is at 7:30pm. Tickets are $30–$45
and are available at the box office, by calling 212-247-7800 or online
at www.carnegiehall.org. Zankel Hall at Carnegie Hall is located at
the corner of 57th Street and 7th Avenue.
Joe’s Pub: The evening curtains for the performance
at Joe’s Pub are at 7pm and 9:30pm. Tickets are available at
the box office, by calling 212-239-6200 or at www.telecharge.com.
Joe’s Pub at The Joseph Papp Public Theater is located at 425
Lafayette Street.
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The House Foundation for the
Arts and Meredith Monk’s 40th Anniversary Season is made possible,
in part, by public and private funds from:
Altria, American Music Center Live Music for Dance Fund, The Amphion
Foundation, Arts International / The Fund for US Artists and the
Artists’ Exploration Fund, The Booth Ferris Foundation, Mary
Flagler Cary Charitable Trust, Aaron Copland Fund for Music, Creative
Capital, The Howard Gilman Foundation, The Harkness Foundation for
Dance, The James E. Robison Foundation, MacGraw-Hill Companies,
Materials for the Arts (a program of the New York City Department
of Sanitation), Meet the Composer/Commissioning Music USA, National
Dance Project, a program of the New England Foundation for the Arts,
National Endowment for the Arts, National Film Preservation Foundation,
New York State Council on the Arts, Rockefeller Multi-Arts Production
Fund, Viola Farber Artist in Residence at Sarah Lawrence College,
The Fan Fox & Leslie R. Samuels Foundation, Emma A. Sheafer
Charitable Trust, Robert Sterling Clark Foundation, Lila Acheson
Wallace Theater Fund, The Women’s Film Preservation Fund of
New York Women in Film and Television and countless individual supporters,
including the members of the 40th Anniversary Committee (gifts of
$1,000 and above): Haruno Arai, John and Sage Cowles, Garcia Research
Associates, Robert Grimm, Harvey Lichtenstein, Dorothy Lichtenstein,
Meredith Monk, Victoria M. Paine, Judith S. Ragir, Barbara Sahlman,
Carol Schuster, Daniel Shapiro and Agnes Gund, Phillip and Ellen
Skove, Ellynne C. Skove, Robert and Melissa Soros, Frederieke Sanders
Taylor, Arbie R. Thalacker and Micki Wesson (committee in formation).

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